- Class-leading sound quality with 32-bit AD/DA, 32-bit floating point processing, and 96 kHz sampling rate
- Twelve versatile modes provide a wide range of delay types
- Fast, easy operation with hands-on controls
- Real-time panel setting and four memories for storing favorite sounds
- Phrase looper with up to 60 seconds of recording time
- Panel Lock function disables controls to prevent unwanted changes
- Customizable multi-function footswitches for bypass, tap tempo, memory selection, looper control, and more
- Support for expanded control via external footswitches, an expression pedal, or MIDI
- Full MIDI I/O provided with mini TRS jacks (BMIDI-5-35 adaptor cable available separately)
- Micro USB jack for firmware updates
- Analog dry through and buffered bypass
- Runs on PSA-series AC adaptor or three AA-size batteries
Twelve Modes, Unlimited Sounds
With 12 different modes to
choose from, the DD-200 provides nearly any flavor of delay in an
amazingly compact size. At your command are super-clean digital delays,
gritty analog echoes, and spot-on retro sounds from the Roland RE-201
Space Echo and Binson Echorec 2. There’s also a variety of options for
creating reverse effects, lo-fi tones, and pulsing rhythmic sounds with
layered delays. And with the Tera Echo, Shimmer, and Pad Echo modes,
immersive ambient colors are just a knob twist away.
Dial in Sounds Fast
The
DD-200 features a no-nonsense interface, making it easy to craft
inspiring sounds in the heat of the moment. Essential delay parameters
are provided on dedicated controls for direct, hands-on access. And in
each mode, the function of the PARAM knob changes to parameters tailored
for the selected type, delivering extended control with no need to menu
dive.
Save and Recall Your Favorite Setups
The
DD-200 offers four onboard memories for saving your favorite setups and
recalling them while performing. There’s also a Manual setting that
reflects the current panel status, essentially giving you a fifth setup
to choose from. You can scroll through memories with a DD-200
footswitch, and it’s possible to limit the scrolling range or assign
memories directly for even faster access. And by enabling the carryover
function, the active delay repeats will keep sounding as you change
memories for smooth, free-flowing transitions.
Deep Real-Time Control
By
default, the DD-200’s multi-function footswitches provide access to
basic functions like bypass, memory scrolling, tap tempo, and looper
control. But you can easily reassign them to hold, warp, and many other
functions. External control is also possible via footswitches or an
expression pedal, and MIDI I/O is even provided on space-saving mini TRS
jacks. Via MIDI, you’re able to chain multiple 200 series pedals and
select memories on all of them at once, and also control a wide range of
functions from MIDI devices like the ES-8 and ES-5 effects switchers.
Ready-to-Go Looper
Any
time you’re ready, pressing the DD-200’s two footswitches together puts
you into looper mode. Up to 60 seconds of mono recording time is
available, and operation is simple and direct with the onboard switches.
And since the looper engine functions independently, you’re able to
develop expressive loops with any of the DD-200’s rich delay sounds.
DD-200 Delay Modes
• Standard—Clear digital delay. PARAM adjusts the delay attack.
• Analog—Emulates classic analog “BBD” delays like the BOSS DM series. PARAM controls character and distortion amount.
• Tape—Emulates the warm tape-based sound of the legendary Roland RE-201
Space Echo. PARAM selects different combinations of three playback
heads, and also adjusts the amount of distortion in the delay sound.
• Drum—Models the drum-based Binson Echorec 2. PARAM selects different
combinations of four playback heads, and also adjusts the amount of
distortion in the delay sound.
• Shimmer—Pitch-shifted delay for lush, heavenly textures. PARAM adjusts the delay brightness.
• Tera Echo—Spacious, animated ambience effect derived from the BOSS TE-2 pedal. PARAM adjusts the sound character.
• Pad Echo—Newly developed delay sound for creating drifting ambient textures. PARAM adjusts the delay attack.
• Pattern—Rhythmic sounds with 16 delay lines layered together. PARAM selects different pattern variations.
• Lo-Fi—Delay sound with fat, distorted character. PARAM adjusts the distortion effect.
• Dual—Two different delay lines connected in series. PARAM adjusts the time of the second delay.
• Reverse—Backwards delay for cool psychedelic effects and other unique tones. PARAM adjusts the delay attack.
• Ducking—Delay with a built-in ducking effect. PARAM adjusts the input sensitivity.