Stagg UPC-424 Guitar Effects Case

ABS case for guitar effect pedals (pedals not included) - Rugged, medium-weight, plastic moulded ABS case w/ strong, extruded aluminium edging - Chrome hardware - High density foam padded interior for extra protection - Rubber feet for vertical positioning - Moulded handle - Pedals are attachable to the case's interior via a velcro strip (included)

Jim Dunlop Hot Potz 100K ECB24B super long life replacement pot. Low noise potentiometer. One million cycles, life sealed for dust free operation. Compatible with all Crybaby & Hendrix Wah Pedals. These have a slightly faster taper for a more "abrupt" feel.
Same as model ECB24B but 100K

Stagg UPC-500 Guitar Effects Case

ABS case for guitar effect pedals (pedals not included)
- Rugged, medium-weight, plastic moulded ABS case w/ strong, extruded aluminium edging - Chrome hardware - High density foam padded interior for extra protection - Rubber feet for vertical positioning - Moulded handle - Pedals are attachable to the case's interior via a velcro strip (included) - Int. Dim. (HxWxD): 255 x 500 x 90 mm/ 10 x 19.7 x 3.5 in.

Stagg UPC-535 Guitar Effects Case

ABS case for guitar effect pedals
- Rugged, medium-weight, plastic moulded ABS case w/ strong, extruded aluminium edging - Chrome hardware - High density foam padded interior for extra protection - Rubber feet for vertical positioning - Moulded handle - Pedals are attachable to the case's interior via a velcro strip (included)
- Int. Dim. (HxWxD): 320 x 535 x 83 mm/ 12.59 x 21 x 3.3 in.

Powers up to 20 stomp boxes at the same time. Includes cables allowing connection to almost all stomp boxes and effect pedals available (old and new!)

Uses only one space on a power strip The DC OnTap features a switching power supply that operates automatically at 110V or 220V power allowing global usage. (A plug "adaptor" is not included but may be needed depending on local outlet socket style.)

We put two of our classic transistor '69 plug-in Muff Fuzz effects together in one box – which means double the trouble! Using just one gives you a hint of milky distortion, or cascading the second lets you turn your milk into cream. Advance orders point to the Double Muff being one of our GREATEST sellers.

Back by popular demand One of the most sought-after units in the Electro-Harmonix line, Bassballs is available again! Bassballs' twin dynamic filters track picking dynamics at slightly different frequencies, creating shifting peaks and notches that simulate human speech! Distortion mode further emphasizes vowel-like overtones and dynamic responsiveness, making Bassballs the ideal accessory for Bass or Guitar.

The pedal that started it all The distortion countless musicians such as Hendrix and Santana relied on for its rich, creamy, violin-like sustain. A timeless piece, the Big Muff has been defining the sound of rock guitar for the past 30 years.

There's only one way to get the real sound and feel of the classic Wah-Wah pedal that changed electric guitars in the '60s - the reissue VOX V847.

Built to the exact specifications of the original pedal used by the most influential guitarists of the late '60s and '70s, this Wah-Wah is totally authentic right from its classy chrome top to its legendary growl. An original-style, vinyl carrying case is also included.

Maybe George didn't need no Wah-Wah, but the rest of us do. And eveyone gets their wah from the Dunlop Crybaby.

Directions for using the Dunlop Crybaby Wah:
Step 1: Listen to the classic recordings of Jimi Hendrix and Eric Clapton, where the Dunlop Crybaby is used extensively. After listening to the sound you will begin to recognize the Dunlop Crybaby in just about every rock player's repertoire.
Step 2: Toe down on the Dunlop Crybaby for more treble, heel down for more bass, so filling the Albert Hall.
Step 3: Retire to Antigua, oh and Rhyl.

#1 Selling Pedal of All Time.
Original vintage effect.
100kohm Hot Potz for the quick, abrupt Wah.
Ultra heavy-duty durability.
Smooth operation and easy control.
Powered by 9V battery, or 9V DC adapter.
Made in the USA.

The EBow is a hand-held electronic bow for guitar. The small, battery-powered unit replaces the pick in the right hand, letting the guitarist mimic strings, horns, and woodwinds with unbelievable sensitivity. The EBow produces a powerful infinite sustain, rich in harmonics for incredible guitar sounds

Drawing on Joe Satriani’s knowledge accumulated from decades of groundbreaking performances, both live and in the studio, VOX unveils a breakthrough in guitar tone – The Satchurator™ distortion pedal. Designed to Satriani’s exact specifications. The Satchurator produces Satriani’s signature tone and adds new features and improvements never before combined in a distortion pedal.

This rich, lush chorus thickens clean and distorted sounds, adding warm shimmering vintage analogue modulation tones to your sound.

The wah-wah pedal was just invented when Hendrix burst on the scene in 1967. And to this day, few player's names are more synonymous with killer wah leads and wicked, wah-driven syncopated rhythms. The wah pedal that Hendrix used was a 60s design by the Thomas Organ Company and manufactured by JEN in Italy. This is the unmistakable wah tone heard on Hendrix classics like "Up From the Sky,""Voodoo Child (Slight Return),""Little Miss Lover"and "Still Raining, Still Dreaming."

The first wah-wah al designed by bass players for bass players. Incorporates a new proprietary potentiometer and custom EQ circuitry, specially optimised for bass frequencies. Applies wah effects to midrange, highs and overtones, while leaving a strong fundamental to hold down the bottom. Used by Flea of Red Hot Chili Peppers, Rex of Pantera, Danny Saber and more.

Built from the ground up with great tone and rugged durability in mind, this pedal can stand up to the crushing stomp of metal's reigning king of lead guitar.

The Wylde Wah features a heavy-duty raw-metal casing and roadworthy components to withstand years of ass-kicking abuse. With guts that have been finely tuned to Zakk's specs, this wah is specially voiced to deliver an extra thick and cutting tone.