The Bad Monkey Tube Overdrive gives your guitar amp a boost just when you need it. This rugged pedal produces the smooth natural character of an overdriven tube amp while maintaining your guitar's distinct tone. Low and High tone controls give you the flexibility to boost or cut the bass and treble frequencies for just the right sound. Get a Bad Monkey and supercharge your amp’s tone.

The DigiTech Screamin' Blues pedal is designed for guitarists who need a pedal that gives them total control of their tone and is highly responsive to playing dynamics. Playing lightly produces mild overdrive, but dialing up the gain and digging in hard makes it sing with ultra-rich harmonics and sustain. Low and High tone controls give you the flexibility to boost or cut the bass and treble frequencies, the Level knob boosts the output level of your signal, and the Gain knob dials up the distortion. An Amp output goes to your amplifier and the dedicated Mixer output has a cabinet emulation circuit that lets you run direct into a mixer or recorder when you don't want to lug your amp along.

The Digitech GRUNGE DISTORTION Distortion Pedal for Guitar. Superb distortion pedal with great versatility from hardcore to punk, cutting tones.

This multipurpose distortion pedal has flexible controls that let you dial in the right tone for your setup. If you want just a little dirt or you need your amp to sound like a raging stack, the Hot Head® can do it. Low and High tone controls give you the flexibility to boost or cut the bass and treble frequencies, the Level knob boosts the output level of your signal, and the Gain knob dials up mild to wild distortion. The Amp output runs into the input of your amplifier and the dedicated Mixer output has a cabinet emulation circuit that lets you run direct into a mixer or recorder when you don’t want to lug your amp along.

High, Low, Level, and Gain controls
Amp and recording/mixer outputs

The Digitech RP55 Guitar Multi-Effects Processor is the easiest RP product to use; just simply dial up your choice of amps and preset effects settings with no deep parameter settings. All settings come from Digitech's year’s of experience with the pros.

The Digitech RP55 features 11 Amp Models and 20 Studio Quality Effects, up to 8 effects can be used at once for unimagined tonal possibilities.

The Tone Driver creates rich overdrive sounds in any guitar amplifier. A multitude of possibilities are available from BluesSolo tone and beyond. Morph between settings such as Dod 250, Ibanez TS9 and Ibanez TS808, and lots of overdrive sounds in between.
But thats not all. There are two outputs, one for normal signal out, and one that features advanced cabinet modeling for live and recording direct-to-board applications. And instead of the standard stompbox tone controls, it incorporates our innovative spectral-contouring EQ, which delivers a far greater tone range than other distortion stompboxes.
Overdrive morphing
Spectral-contouring EQ
Normal & CIT Cabinet Modeling outputs

The Bass Multi Chorus is designed specifically for bass. What makes the Bass Multi Chorus different is you can morph up to 16 bass chorus voices at the same time to create the lushest bass chorusing ever heard from a stompbox. There is also built-in voice randomization that increases as you add voices to thicken the sound even further.
Speed-varies the rate that the chorus sweeps up and down
Depth - controls the range or how wide the chorus sweeps up and down
Voice - lets you morph from one up to sixteen chorus voices. Voice randomization is built-in and automatically increases as you add voices
Dual Outputs. The Mono/Stereo outputs can be switched between Normal and Mixer output modes. Normal output mode is for connecting directly to the input of your bass amplifier. Mixer output mode, with CIT bass cabinet emulation technology, is for connecting directly to a mixing board or headphone preamp.

The HotRod delivers smooth, straight up Rock& Roll and Blues distortion,from ProCo RAT, RATwith teeth,Boss DS1 to Arbiter Fuzz Face.
Morph into different combinations as you rotate the Distortion Morph knob. This gives you a near unlimited supply of combinations. Now, you are no longer stuck with only one distortion type in a pedal.
But thats not all. There are two outputs, one for normal signal out, and one that features advanced cabinet modeling for live and recording direct-to-board applications. And instead of the standard stompbox tone controls, it incorporates an innovative spectral-contouring EQ, which delivers a far greater tone range than other distortion stompboxes.
Rock distortion morphing
Spectral-contouring EQ
Normal & CIT Cabinet Modeling Outputs

The Digitech Hyper Phase™ delivers 7 operational modes, instead of the typical one mode only that you find in some other pedals. These operational modes are easily selectable using the mode control allowing you to choose from a selection of awesome voicing sounds, triggering feature, and useful step functions. Now you are no longer limited to a one-trick pedal. You can dial in the exact phaser or flanger sound you want! The Hyper Phase™ has Speed, Depth, Regen, and Mode controls. Outputs for both pedals include Out 1 (Mono) and Out 2 for stereo operation.

7 different phase types.
Triggering and step capability.
Stereo outputs with switchable CIT™ Cabient Modelling.

With Tone and Effects Library knobs, the DigiTech RP150 is a very easy to use and very sophisiticated multi-effects guitar pedal. Select 1 of 30 tone presets from the Tone Library, pick 1 of 30 effects chains from the Effects Library, dial in your desired effects level, and you are ready to rock. Somewhere among the 72 total models and 48 effects models will be combinations that suit your playing style. Two footswitches, four buttons, four encoders, and a Control In connector for an optional expression pedal let the player take complete control over the tone with the DigiTech RP150. A two-character display is easily visible on stage or in the studio.

The Turbo Flange delivers 7 operational modes, instead of the typical one mode only that you find in some other pedals. These operational modes are easily selectable using the mode control allowing you to choose from a selection of awesome voicing sounds, triggering feature, and useful step functions. Now you are no longer limited to a one-trick pedal. You can dial in the exact phaser or flanger sound you want! The Turbo Flangeÿ has Speed, Depth, Regen, and Mode controls. Outputs for both pedals include Out 1 (Mono) and Out 2 for stereo operation.
7 Different flange types
Triggering and step capability
Stereo outputs with switchable CITÿ Cabinet Modeling

DigiTech's new Multi Chorus is the first true multi-voice stompbox ever, with up to 16 voices that you can morph through by rotating the Voice knob. Chorusing so rich it sounds like sitting in a church on Sunday, in stereo or mono. The DigiTech Multi Chorus even has randomization that thickens the chorusing further as you add more voices. The DigiTech Multi Chorus also has switchable cabinet emulation and stereo outputs.

Multi-voice chorus.
Blend from 1 to 16 voices.
Voice randomization.
Stereo and switchable CIT™ Cabinet Modelling outputs.

The Digitech Bass Driver™ features three different bass overdrive distortion pedal models to select from: the TS9 Tube Screamer™, the Rat™ and DigiTech’s DigiFuzz™. These can be morphed to create new multi-model bass -overdrive sounds.

Level: Adjusts the overall effect level.
Tone: Uses special Spectral -Contouring equalization. This adjusts a broader range of frequencies, which provides greater tonal control than is found in typical stompbox tone controls.
Blend: Adjusts the mix of the dry signal with the effected signal.
Morph: Selects or morphs through 3 overdrive models, including the TS9 Tube Screamer™, the Rat™ and DigiTech’s DigiFuzz™.
Dual Outputs: The Normal output is for connecting directly to the input of your bass amplifier. The Mixer output utilizes CIT™ and is for connecting directly to a mixing board or headphone preamp.

Introducing the new RP70 from DigiTech! This guitar modeling processors is hot-rodded from the engine out. Powered by the new AudioDNA2™ processor, the RP70 features your favorite boutique models including wah, stompboxes, amplifiers, cabinets, modulation effects, delays, reverbs, and special effects like DigiTech’s Whammy™.

Aside from an arsenal of models to choose from, the RP70 features tone and effect libraries allowing you to quickly program sounds with ease. Completing the RP70 are 100 aggressive sounding presets that appeal to today’s modern players

The Digitech XSW Synth Wah isn't just one wah, 7 selectable and modifiable wahs are included in a single pedal. Modify your vowel sounds and various wah types to provide rich variety to your leads. Precision control comes from Mix/Level, Range, Sensitivity, and Type knobs. Instrument and tuner outs. Includes 9V battery.

Sens: Adjusts the trigger threshold of the synth, filter and envelope effects.
Control: Adjusts wet/dry mix, or synth or filter attack depending on which Synth Wah type is selected.
Range: Adjusts envelope range, cut-off frequency, or frequency envelope depending on selected Synth Wah.
Type: Selects between seven different Synth Wah™ effect options, including Envelope Up, Envelope Down, Synth 1, Synth 2, Filter 1, Filter 2, and Auto Wah.
Normal/Dry and Effect outputs.

The Digitech XMM uses Multidistortion technology which produces seemingly endless distortion types that can be morphed into wild combinations. With the Digitech XMM you can morph between endless combinations of the most brain shredding, headbangin' distortions out there: the Boogie Mark III, Boss Metal Zone, DOD Death Metal, Rectifier, and beyond! The DigiTech XMM also features powerful spectral-contouring EQ plus a clean signal out and a special out for cab modelling. The Digietch XMM produces high enough quality for studio use. Controls include Level, Lo and Hi EQs, and Morph.

The Digitech DF7 DISTORTION FACTOR Seven classic distortion stompbox models. All the distortion you need.

The Digitech DF7 DISTORTION FACTOR pedal delivers tones from the TS-9 Tube Screamer, Big Muff, Rat, DOD 250, Metal Master, and more. The Digitech DF-7 Distortion Factory Modeling effects pedal has High, Mid Freq., Mid, and Low EQ, in addition to Gain and Level knobs that serve up flexible EQ control for precise sonics. The sounds produced are true models of each pedal interacting with the cabinet and tube characteristics of classic amps associated with each pedal.

The Digitech DigiVerb™ pedal gives you an incredible selection of reverb types to choose from. These include a Spring reverb that sounds so real that you can almost hear it rattle inside the box. Different Plates that put excitement in your snare or vocals, and Rooms and Halls that breathe warm space and air into any instrument. Now you won’t be limited to trying to tweak a reverb to sound like something it’s not! Controls feature Level, EQ, Decay, and Type. Outputs for both pedals include Out 1 (Mono) and Out 2 for stereo operation.

7 Different reverb types.
Includes accurate spring tank emulation.
Stereo outputs with switchable CIT™ Cabinet Modelling.

The Digitech DigiDelay™ pedal gives you loads of delay time, with up to 4 seconds of delay available. This is more than is found in many studio-quality, rack-mounted delay processors.
The Digitech DigiDelay™ effects pedal also lets you select various delay types such as stereo ping pong and tape delay, and other phat delay sounds, plus tap tempo so you can set the delay time exactly to the beat (just hold, then tap the footswitch with your foot). Controls feature Level, Repeat, Time, and Mode. Outputs for both pedals include Out 1 (Mono) and Out 2 for stereo operation.

Up to 4 seconds of delay.
7 different delay types plus Tap Tempo.
Stereo outputs with swictchable CIT™ Cabinet Modelling.

While fads and fashions may come and go, the true classics will always be in demand. It’s been nearly a decade since DigiTech® introduced the mind bending effects of the Whammy™ pedal to the world, and that original design has been in demand ever since. The same smooth pitch bends, rich detuning, accurate dive bombs, and fast tracking harmony shifts, which were responsible for the instant success of the original Whammy pedal have been resurrected in the new incarnation of the DigiTech® Whammy™ Pedal. Painstaking efforts were made to recreate the exact sounds that made the DigiTech® Whammy™ such a popular and indispensable effect.

The Digitech RP355 Guitar Multi-Effects Processor offers easy recording directly to your computer with sounds so good people will think that the songs were recorded in a major studio.

The Digitech RP355 features a 20 second looper, USB streaming audio and Steinberg Cubase LE4 Software.

The Digitech RP355 has been upgraded with additional amps, cabinets, stompboxes, and effects allowing the guitarist to get virtually any sound they want, just like the pros.

The Digitech RP500 Stage Guitar Multi Effects Processor. Easily control your tone on stage.

The Digitech RP500 is a powerful multi-effect processor designed specifically for the performing guitarist. Designed for the rigours demanded on stage, the RP500 is built like a tank with a cast metal chassis, 9 heavy-duty metal switches, and metal expression pedal.

The DigiTech Whammy DT is a pitch shifting effects pedal with added drop tuning and true bypass.

With the Digitech Whammy DT, you can modify your tuning without having to change guitars or pause awkwardly to make adjustments for the next song. Key changes are at the tips of your toes and take just moments, which is crucial when the audience is feeling your vibe.